{"id":2112,"date":"2017-08-11T13:44:59","date_gmt":"2017-08-11T13:44:59","guid":{"rendered":"https:\/\/ifafa.us\/?p=2112"},"modified":"2017-10-09T20:32:03","modified_gmt":"2017-10-09T20:32:03","slug":"il-ballo-del-fazzoletto-2","status":"publish","type":"post","link":"https:\/\/www.ifafa.us\/?p=2112","title":{"rendered":"IL BALLO DEL FAZZOLETTO"},"content":{"rendered":"<h2>Ci scusiamo. Al momento non \u00e8 disponibile alcuna traduzione italiana per questa pagina.<\/h2>\n<p><strong>Il ballo del fazzoletto \/ The Dance of the Handkerchief<\/strong><br \/>\nTraditional folk song from the region of Le Marche<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1156 aligncenter\" src=\"https:\/\/ifafa.us\/wp-content\/uploads\/2017\/08\/ilBalloDelFazzoletto.png\" alt=\"\" width=\"377\" height=\"402\" srcset=\"https:\/\/www.ifafa.us\/wp-content\/uploads\/2017\/08\/ilBalloDelFazzoletto.png 377w, https:\/\/www.ifafa.us\/wp-content\/uploads\/2017\/08\/ilBalloDelFazzoletto-281x300.png 281w\" sizes=\"(max-width: 377px) 100vw, 377px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><!--more--><\/p>\n<p>As with most popular <em>marchigiani<\/em> (from Le Marche) songs, the origin of the words, the name of the original song writer, and the date of composition are unknown. The songs have been passed down from one generation to the next, with frequent changes and variations. As the title suggests, this is a song originally intended for a couple dance. The &#8220;star&#8221; of the dance is a large handkerchief, a typical costume accessory for men and women of Le Marche, which is always kept in the hands of the pairs of dancers.<\/p>\n<p>The original text of the song consists of eight stanzas, although there are many variations, as often happens with oral tradition. There are two characters in the song: a father (played by a solo male voice or a group of male voices) and his young daughter (played by a solo female voice or a group of female voices). The two voices alternate throughout the song, in a playful repart\u00e9e.<\/p>\n<p>Since dancing is a means of taking one\u2019s place in society or in the local community, the father insists that his daughter go to the dance in the piazza. (<em>Fija mia voi veni al ballo?<\/em> = My daughter, are you going to the dance?) But each time, the young lady refuses because she doesn\u2019t have the proper clothes or accessories needed to make up the typical <em>marchigiano<\/em> costume. (<em>Babbu mio non vengo no<\/em> = Dear Father, I\u2019m not going) In this version of the song, first she does not have the shoes (<em>Ch\u00e8 le scarpette non ce l\u2019ho<\/em>), then the underwear (<em>le mutande<\/em>), then the apron (<em>lu panellu<\/em>), blouse (<em>la camicia<\/em>), vest (<em>lu bustu<\/em>), the dress (<em>lo vestito<\/em>), the earrings (<em>li pendenti<\/em>) and the handkerchief (<em>il fazzoletto<\/em>), with one of these accessories requested by the young lady in each verse. The father, wanting to see his daughter dancing, concedes each time to make her happy.<\/p>\n<table>\n<tbody>\n<tr>\n<td colspan=\"2\">\n<h2>Il ballo del fazzoletto<\/h2>\n<\/td>\n<\/tr>\n<tr>\n<td>\u201cFija mia voi veni al ballo?\u201d<br \/>\n\u201cBabbu mio non vengo no,<br \/>\nsulla piazza di Montegallo<br \/>\nbabbu mio non vengo no.<br \/>\nBabbu mio non vengo no,<br \/>\nch\u00e8 le scarpette non ce l&#8217;ho.\u201d<br \/>\nE lo babbu se ne diede<br \/>\ne le scarpette gliele fece,<br \/>\nla mamma se ne rid\u00eca:<br \/>\n\u201c\u00c8 scarpettata la fija mia.\u201d\u201cFija mia voi veni al ballo?\u201d<br \/>\n\u201c&#8230; ch\u00e8 le mutande non ce l&#8217;ho.\u201d<br \/>\nE lo babbu se ne diede<br \/>\ne le mutande gliele fece,<br \/>\ne la mamma se ne rid\u00eca:<br \/>\n\u201cLe mutande ha la fija mia.\u201d\u201cFija mia voi veni al ballo?\u201d<br \/>\n\u201c.. ch\u00e8 lu panellu non ce l&#8217;ho.\u201d<br \/>\nE lo babbu se ne diede<br \/>\ne lu panellu glielo fece<br \/>\ne la mamma se ne rid\u00eca:<br \/>\n\u201cLu panellu ha la fija mia.\u201d\u201cFija mia voi veni al ballo?\u201d<br \/>\n\u201c&#8230; ch\u00e8 la camicia non ce l&#8217;ho.\u201d<br \/>\nE lo babbu se ne diede<br \/>\nla camicia gliela fece<br \/>\ne la mamma se ne rid\u00eca:<br \/>\n\u201c\u00c8 in camicia la fija mia.\u201d<\/td>\n<td>\u201cFija mia voi veni al ballo?\u201d<br \/>\n\u201c&#8230; ch\u00e8 lu bustu non ce l&#8217;ho.\u201d<br \/>\nE lo babbu se ne diede<br \/>\ne lu bustu glielo fece<br \/>\ne la mamma se ne rid\u00eca:<br \/>\n\u201c\u00c8 in bustu la fija mia.\u201d\u201cFija mia voi veni al ballo?\u201d<br \/>\n\u201c&#8230; ch\u00e8 lu vestitu non ce l&#8217;ho.\u201d<br \/>\nE lo babbu se ne diede<br \/>\ne lu vestitu glielo fece<br \/>\ne la mamma se ne rid\u00eca:<br \/>\n\u201c\u00c8 vestita la fija mia.\u201d\u201cFija mia voi veni al ballo?\u201d<br \/>\n\u201c&#8230; ch\u00e8 li pendenti non ce l&#8217;ho.\u201d<br \/>\nE lo babbu se ne diede<br \/>\ne li pendenti glieli fece<br \/>\ne la mamma se ne rid\u00eca:<br \/>\n\u201cLi pendenti ha la fija mia.\u201d\u201cFija mia voi veni al ballo?\u201d<br \/>\n\u201c&#8230; ch\u00e8 &#8216;l fazzoletto non ce l&#8217;ho.\u201d<br \/>\nE lo babbu se ne diede<br \/>\ne &#8216;l fazzoletto glielo fece<br \/>\ne la mamma se ne rid\u00eca:<\/p>\n<p>\u201cHa il fazzoletto la fija mia.:<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Ci scusiamo. Al momento non \u00e8 disponibile alcuna traduzione italiana per questa pagina. Il ballo del fazzoletto \/ The Dance of the Handkerchief Traditional folk song from the region of Le Marche &nbsp;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[256,261],"tags":[],"class_list":["post-2112","post","type-post","status-publish","format-standard","hentry","category-balli","category-musica"],"_links":{"self":[{"href":"https:\/\/www.ifafa.us\/index.php?rest_route=\/wp\/v2\/posts\/2112"}],"collection":[{"href":"https:\/\/www.ifafa.us\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ifafa.us\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ifafa.us\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ifafa.us\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2112"}],"version-history":[{"count":2,"href":"https:\/\/www.ifafa.us\/index.php?rest_route=\/wp\/v2\/posts\/2112\/revisions"}],"predecessor-version":[{"id":2213,"href":"https:\/\/www.ifafa.us\/index.php?rest_route=\/wp\/v2\/posts\/2112\/revisions\/2213"}],"wp:attachment":[{"href":"https:\/\/www.ifafa.us\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2112"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ifafa.us\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2112"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ifafa.us\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}